Feb 1&2, 2012 The Place in Between (Notre étrangère)

December 30, 2011 in Monthly Screenings at Chatham 14

Black World Cinema, Feb 1 &2, 2012
The Place in Between (Notre étrangère)
ICE Theater Lawndale, Wed Feb 1, 7pm 2012
ICE Theater Chatham, Thur Feb 2, 7pm 2012

The Place in Between (Notre étrangere)
France/Burkina Faso, 2010, 82 min
dir: Sarah Bouyain
prod: Sophie Salbot
scr: Sarah Bouyain, Gaëlle Macé
In French and Dioula with English subtitles.

Part of the Feb. TRUTH BE TOLD Black History Month Screenings

Exploring dilemmas of culture and race, Sarah Bouyain’s debut feature tells dovetailing stories of African women living in France. Amy is a young biracial woman whose mother is from Burkina Faso. At the age of eight, she was “reclaimed” by her father and went to live with him in France. His death 20 or so years later prompts a desire to visit her birthplace and reconnect with her other parent. In a parallel story, a middle-aged white woman is learning Dioula, a West African language spoken in Burkina Faso, from a taciturn woman named Mariam. In carefully precise scenes, Bouyain explores the displacement that both Mariam and Amy face in a country that is familiar but not quite home. In Burkina Faso, Amy tries to fit in by buying a brightly patterned dress, but locals call her “white lady” and she’s unable to converse with her aunt in order to discover her mother’s whereabouts. Meanwhile, Mariam tries to accustom herself to the bustle of Paris, where traditions and personal relationships are different from what she is used to. Through these two narratives, an affecting portrait of the African diaspora emerges. Over the course of the film, these two self-possessed women may not definitively discover the place where they belong, but what they do find is a significantly stronger sense of self.

—Rod Armstrong

Share

March 7&8 The Education of Auma Obama

December 29, 2011 in Monthly Screenings at ICE Lawndale

Branwen Okpako’s “The Education of Auma Obama” is a captivating and intimate portrait of the U.S. president’s older half-sister, who embodies a post-colonial, feminist identity.

An academic overachiever, she studied linguistics and contemporary dance in Heidelberg, Germany, before enrolling in film school in Berlin, where she met Nigerian-born director Okpako in the nineties. After living in the United Kingdom for a short period, Auma Obama eventually moved back to Kenya to mentor a young generation of community activists, social workers and other ambitious young men and women who lacked her privileged education and training, but were nonetheless determined to make a positive contribution to their society.

Okpako has always been interested in questions of identity, affiliation and belonging. Although she frames her film as a biographical portrait of Obama, she goes much further, providing a layered historical context and discussions of postcolonial African identity from a feminist perspective. Okpako collects testimonies almost exclusively from women, echoing the African tradition of women as chroniclers of oral history. When coupled with these accounts, Okpako’s use of archival footage — filmed during colonization for an entirely different purpose — offers a new reading of history and the present. Obama is also the daughter of a charismatic man who fought for the liberation of his country and participated in the shaping of the first years of independence. She witnessed his hopefulness and rise as well as his disillusionment and demise, coming into adulthood as her country — and continent — fell prey to despotism, corruption and poverty.

The Education of Auma Obama is also a film about a generation of politically and socially engaged Africans whose aspirations are informed by their parents’ experiences, and whose ambition to forge a better future for their communities starts from the ground up. Rasha Salti, September 2011

Share

Chicago Premiere:The Story of Lover’s Rock

December 1, 2011 in Monthly Screenings at Chatham 14

The Story of Lover’s Rock
UK 2011, 96 min
Director: Menelik Shabazz

This is first and foremost a film about Black Social Dance. The US parallel would be the “slow-dance,” the “Bop,” “Sunset Bop.”  Under dark blue or red lights in a crowded room young men and women came together to experience the ritual intimacy of dance, flirtation and love to the sound of romantic music.

Lovers Rock, often dubbed ‘romantic reggae’ is a uniquely black British sound that developed in the late 70s and 80s against a backdrop of riots, racial tension and sound systems. Live performance, comedy sketches, dance, interviews and archive shed light on the music and the generation that embraced it. Lovers Rock allowed young people to experience intimacy and healing through dance- known as ‘scrubbing’- at parties and clubs. This dance provided a coping mechanism for what was happening on the streets. Lovers Rock developed into a successful sound with national UK hits and was influential to British bands (Police, Culture Club, UB40) These influences underline the impact the music was making in bridging the multi-cultural gap that polarized the times. The film sheds light on a forgotten period of British music, social and political history.

All screenings are followed by lively discussions moderated by program director Floyd Webb or Cecilia Horde along with local scholars, screenwriters and directors.

Screenings are the first Wednesday at
ICE Theaters Lawndale
3330 W. Roosevelt Road, Chicago, IL 60624

Screenings are the first Thursday at
ICE Theaters Chatham 14
210 W. 87th Street, Chicago, IL 60620

Share

Chicago Premiere: Nov 30 & Dec 1, The Nine Muses by John Akomfrah at ICE Theaters

November 4, 2011 in Monthly Screenings at Chatham 14

Wed, Nov 30, 7pm,
ICE Theaters Lawndale
3330 W Roosevelt
Admission: $5.00

Thurs, Dec 1, 7pm,
ICE Theaters Chatham
210 W 87th St
Admission: $5.00

THE NINE MUSES (UK 2011, 94 min HDCinema)
Directed by John Akomfrah | TRAILER

“Akomfrah’s The Nine Muses wraps the viewer in literature, music and archive footage, summoning up a mood rather than a story that reflects on the immigrant experience and the violence of displacement with a majestic grace”

                                         –Jason Solomons, The Observer”Fascinating! Cerebral and sensual, British filmmaker John Akomfrah’s The Nine Muses considers the history of the African diaspora to postwar Europe through a highly unusual prism of structuralist cinema, archival footage, spoken-word recordings and the nine muses birthed by the union of Zeus and Mnemone, the Greek goddess of memory [with] many heady references”
–Robert Koehler, VarietyTwenty-five years after the end of the Trojan War, Odysseus still has not returned home. So his son, Telemachus, sets off on a journey in search of his lost father. So begins Homer‘s revered epic poem, The Odyssey, the primary narrative reference point for The Nine Muses, John Akomfrah‘s remarkable meditation about chance, fate and redemption.
Structured as an allegorical fable set between 1949 and 1970, The Nine Muses is comprised of nine overlapping musical chapters that mix archival material with original scenes. Together, they form a stylized, idiosyncratic retelling of the history of mass migration to post-war Britain through the suggestive lens of the Homeric epic.

In addition to its resonance with Homer‘s epic, The Nine Muses was devised and scripted from the writings of a wide range of authors including Dante Alighieri, Samuel Beckett, Emily Dickinson, James Joyce, John Milton, Friedrich Nietzsche, William Shakespeare, Sophocles, Dylan Thomas, Matsuo Basho, TS Elliot, Li Po, and Rabindranth Tagore.
The Nine Muses is a journey through myth, folklore, history, and a museum of intangible things. It is a  ‘sorrow song‘ or ‘song cycle‘ on journeys and migration, memory and elegy, knowledge and identity.Festivals:
Sundance Film Festival 2011
London Film Festival 2010
Dubai International Film Festival 2011
Jeonju Film Festival 2011
Sheffield Documentary Film Festival
Karlovy Vary Film Festival 2011
Jerusalem Film Festival 2011
Viennale, Vienna, Austria 2011
EWA Film Festival, Poland 2011
Orizzonti Finalist, Venice Film Festival 2010


Black World Cinema, a showcase of seldom seen classic features and new films from around the world. Black World Cinema presents films by filmmakers that bring us story with compelling content and a human dimension seldom presented in mainstream cinema.

All screenings are followed by lively discussions moderated by program director Floyd Webb or local scholars, screenwriters and directors.

Screenings occur the first Wednesday at
ICE Theaters Lawndale
3330 W Roosevelt Road

And first Thursday of every month at

ICE Theaters Chatham 14
210 W. 87th Street
Chicago, IL

 

 

 

 

Share

Black Power Mixtape, Nov 2 &3, &pm at ICE Theaters

October 10, 2011 in Monthly Screenings at Chatham 14

Wed, Nov 2, 7:00 pm
ICE Theaters Lawndale
3330 W Roosevelt Road

Thursday, Nov 3, 7:00 pm
ICE Theaters Chatham
210 W 87th Street
icetheaters.com | blackworldcinema.net
Admission: $5.00

Black Power Mixtape: 1967-1975, 2011, Sweden
A film by Göran Hugo Olsson

45 Min Panel DIscussion After the film.

At the end of the Sixties and into the early Seventies, European interest in the US Civil Rights Movement and the US anti-war movement peaked. With a combination of commitment and naivet?, Swedish filmmakers traveled across the Atlantic to explore the Black Power Movement, which was being alternately ignored or portrayed in the US media as a violent, nascent terrorist movement.

Despite the obstacles they were confronted with, both from the conservative white American power establishment and from radicalized Movement members themselves, the Swedish filmmakers did not cease their investigation and ultimately formed bonds with key figures in the Movement, based on their common objective of realizing equal rights for all. In the Black Power Mixtape filmmaker G?ran Olsson brings this newly discovered footage to light and introduces it to a new generation across the world in a penetrating examination – through the lens of Swedish filmmakers – of the Black Power Movement from 1967-75, and its worldwide resonance.

That the film is told from the Swedish perspective lends it a unique advantage – it establishes the era, place and its perspective cleanly and clearly, and without bringing the kind of loaded assumptions or baggage to the subject matter that have long kept the story of the Movement from mainstream discussion. Where the earlier US Civil Rights Movement has been recognized if somewhat sanitized, the Black Power Movement has been historically vilified on the one hand and fetishized on the other. Its legacy has not been properly contextualized, and its influence on other liberation struggles and political movements has been virtually erased. The film emphasizes intimate and reflective moments with the intention of situating the Movement both in its domestic and international context, while at the same time introducing contemporary perspectives on its successes and failures, its resonance and importance today.

Filmed interviews include such figures as Stokely Carmichael, Eldridge Cleaver, Bobby Seale, and Angela Davis when she was in prison, as well as footage from Lars Ulvestam’s televised film Harlem: Voices, Faces. (When that film aired in Sweden, the embarrassed US Ambassador to Sweden demanded and was granted airtime on Swedish Television to explain away the film’s “many flaws”.)

Audio interviews with key contemporary figures complement the archival and create a formal mosaic that is uplifting and moving in its impact, introducing a new generation to a dynamic progressive movement for change. Utilizing an innovative format that riffs on the popular 70s ‘mixtape’, the Black Power Mixtape film is a cinematic and musical journey into the ghettos of America that features some of the country’s most innovative recording artists.

At its heart, The Black Power Mixtape is a story about empowerment. It’s a moving and inspirational vehicle that takes the audience on a journey through the specific time period of 1967-1975 and the pressing issues of concern then (the Vietnam war, failing public schools, drug addiction, record levels of incarceration, extreme poverty, lack of government accountability and the pervasiveness of structural racism) while at the same time organically provoking deep questions about where Americans find themselves and the country today.

Including appearances by:
Stokely Carmichael (Kwame Ture)
Eldridge Cleaver
Kathleen Cleaver
Bobby Seale
Huey P. Newton
Emile de Antonio
William Kunstler
Angela Davis

Including audio commentary by:
Erykah Badu
Harry Belafonte
Kathleen Cleaver
Angela Davis
John Forté
Robin Kelley
Talib Kweli
Abiodun Oyewole
Melvin Van Peebles
Sonia Sanchez
Bobby Seale
Ahmir “Questlove” Thompson


Black World Cinema, a showcase of seldom seen classic features and new films from around the world. Black World Cinema presents films by filmmakers that bring us story with compelling content and a human dimension seldom presented in mainstream cinema.

All screenings are followed by lively discussions moderated by program director Floyd Webb or local scholars, screenwriters and directors.

Screenings occur the first Wednesday at
ICE Theaters Lawndale
3330 W Roosevelt Road

And first Thursday of every month at

ICE Theaters Chatham 14
210 W. 87th Street
Chicago, IL

Share

The First Grader, Sept 7 & 8

August 24, 2011 in Monthly Screenings at Chatham 14

 

The First Grader, Sept 7 &8 at Ice Lawndale and ICE ChathamTHE FIRST GRADER, Kenya/UK 2010
Directed by Justin Chadwick
starring Oliver Litondo, Naomie Harris, Tony Kgoroge and Nick Reding

Wed, Sept 7, 7:00 pm
ICE Theaters Lawndale
3330 W Roosevelt Road

Thursday, Sept 8, 7:00 pm
ICE Theaters Chatham
210 W 87th Street
icetheaters.com | blackworldcinema.net
Admission: $5.00

In a small, remote mountain top primary school in the Kenyan bush, hundreds of children are jostling for a chance for the free education newly promised by the Kenyan government. One new applicant causes astonishment when he knocks on the door of the school.  He is Maruge (Oliver Litondo), an old Mau Mau veteran in his eighties, who is desperate to learn to read at this late stage of his life.  He fought for the liberation of his country and now feels he must have the chance of an education so long denied – even if it means sitting in a classroom alongside six-year-olds.
Moved by his passionate plea, head teacher Jane Obinchu (Naomie Harris), supports his struggle to gain admission and together they face fierce opposition from parents and officials who don’t want to waste a precious school place on such an old man.

Full of vitality and humour, the film explores the remarkable relationships Maruge builds with his classmates some eighty years his junior. Through Maruge’s journey, we are taken back to the shocking untold story of British colonial rule 50 years earlier where Maruge fought for the freedom of his country, eventually ending up in the extreme and harsh conditions of the British detention camps.

 


Black World Cinema, a showcase of seldom seen classic features and new films from around the world. Black World Cinema presents films by filmmakers that bring us story with compelling content and a human dimension seldom presented in mainstream cinema.

All screenings are followed by lively discussions moderated by program director Floyd Webb or local scholars, screenwriters and directors.

Screenings occur the first Wednesday at
ICE Theaters Lawndale
3330 W Roosevelt Road

And first Thursday of every month at

ICE Theaters Chatham 14
210 W. 87th Street
Chicago, IL

Share

VIva Riva, Oct 5 &6 at ICE Lawndale 10 and ICE Chatham 14

August 24, 2011 in Monthly Screenings at Chatham 14

Viva Riva comes to ICE Theaters in October

Wed, Oct 5, 7:00 pm
ICE Theaters Lawndale
3330 W Roosevelt Road

Thursday, Oct 6, 7:00 pm
ICE Theaters Chatham
210 W 87th Street
icetheaters.com | blackworldcinema.net
Admission: $5.00

Viva Riva
2010, Democratic Republic of Congo, 96 minutes
directed by Djo Tunda Wa Munga
starring Patsha Bay Mukuna, Manie Malone, Hoji Fortuna, Marlene Longange, Diplome Amekindra, Alex Herabo

Riva is a small time operator who has just returned to his hometown of Kinshasa, Congo after a decade away with a major score: a fortune in hijacked gasoline. Wads of cash in hand and out for a good time, Riva is soon entranced by beautiful night club denizen Nora, the kept woman of a local gangster. Into the mix comes an Angolan crime lord relentlessly seeking the return of his stolen shipment of gasoline. Director Djo Tunda Wa Munga’s Kinshasa is a seductively vibrant, lawless, fuel-starved sprawl of shantytowns, gated villas, bordellos and nightclubs and Riva is its perfect embodiment.

Black World Cinema, a showcase of seldom seen classic features and new films from around the world. Black World Cinema presents films by filmmakers that bring us story with compelling content and a human dimension seldom presented in mainstream cinema.

All screenings are followed by lively discussions moderated by program director Floyd Webb or local scholars, screenwriters and directors.

Screenings occur the first Wednesday at
ICE Theaters Lawndale
3330 W Roosevelt Road

And first Thursday of every month at

ICE Theaters Chatham 14
210 W. 87th Street
Chicago, IL

Share

August 3rd and 4th: Chicago Premiere: RAMATA

July 30, 2011 in Monthly Screenings at Chatham 14

Ramata, A film by Léandre-Alain BakerRAMATA
2010, Senegal/Congo
90 Minutes
Directed by Léandre-Alain Baker
Wed, August 3, 7:00 pm
ICE Theaters Lawndale
3330 W Roosevelt Road

Thursday, August 4, 7:00 pm
ICE Theaters Chatham
210 W 87th Street
icetheaters.comblackworldcinema.net
Admission: $5.00

Today’s Senegal.
Ramata is a 50 years old woman of bewitching beauty. She has been married for 30 years with Matar Samb, a former Public Prosecutor who then became Minister of Justice. They live in Les Almadies, an upper crust area of Dakar.

Ngor Ndong is 25. Strong, mysterious and homeless, he is an occasional criminal, well-known by the Police.

One evening, by a matter of chance, Ramata hides a taxi whose driver is Ngor Ndong. First hesitant, Ramata finally agrees to follow him to the Copacabana Bar located in Dakar’s seedy parts. Excited by the mystery exuding from this young man, who seems as disillusioned by life as she is, she lets him take her to the backroom of the dive. There, Ngor Ndong, intrigued by the power embodied by this woman from the “high society”, tries to take her by force. Ramata resists without conviction and finally yields to temptation…

Despite the self-righteous morality of the wealthy background in which her husband has installed her and the discretion she should observe, Ramata frees herself of all restraint. She decides to live intensively what she believes to be Love, to her husband’s great displeasure whose honour is scoffed by the rumour.

Coming from a very modest family, Ramata had done all she could to become part of this smart and luxurious world, symbol of happiness and success to her eye. 30 years later, deeply alone and having lost her illusions of comfort, she imagines seeing in that passionate story the lost sense of her life. Alas, Ramata is quickly abandoned by her young lover…

In her wild search for him, a part of her less glorious past reappears.


Black World Cinema, a showcase of seldom seen classic features and new films from around the world. Black World Cinema presents films by filmmakers that bring us story with compelling content and a human dimension seldom presented in mainstream cinema.

All screenings are followed by lively discussions moderated by program director Floyd Webb or local scholars, screenwriters and directors.

Screenings occur the first Wednesday at
ICE Theaters Lawndale
3330 W Roosevelt Road

And first Thursday of every month at
ICE Theaters Chatham 14
210 W. 87th Street
Chicago, IL

Share

Thursday July 7th, ICE Theaters Chatham.

July 6, 2011 in Monthly Screenings at Chatham 14

Thursday, July 7, 7:00 pm
ICE Theaters Chatham
210 W 87th Street


DESERT FLOWER
, 120 min
2009, Austria/Germany/UK
A Film by Sherry Hormann
Based on the Novel by Waris Dirie and Cathleen Miller

The autobiography of a Somalian nomad circumcised at 3, sold in marriage at 13, fled from Africa a while later to become finally an American supermodel and is now at the age of 38, the UN spokeswoman against circumcision.

Her story touched the hearts of millions: Waris Dirie’s book DESERT FLOWER, which recounts her incredible journey from an African nomad to an international top model, became a worldwide bestseller with more than 11 million copies sold. This is the inspiring story of an extraordinary, proud and brave woman.  Director and screenwriter Sherry Hormann (FATHER’S DAY) and producer and Oscar® winner Peter Herrmann (NOWHERE IN AFRICA) have adapted Dirie’s autobiography for the screen: a modern fairy tale of dazzling glamour and archaic rituals, full of vitality, emotional depth and enormous compassion.

Top model and actress Liya Kebede shines in the main role alongside an ensemble of brilliant actors including Silver Bear and Golden Globe winner Sally Hawkins (HAPPY-GO-LUCKY), Timothy Spall (HARRY POTTER, SECRETS AND LIES), Craig Parkinson (CONTROL), Juliet Stevensen (BEND IT LIKE BECKHAM), Anthony Mackie (THE HURT LOCKER, 8 MILE) and Meera Syal (SCOOP).


Black World Cinema, a showcase of seldom seen classic features and new films from around the world. Black World Cinema presents films by filmmakers that bring us story with compelling content and a human dimension seldom presented in mainstream cinema.

All screenings are followed by lively discussions moderated by program director Floyd Webb or local scholars, screenwriters and directors.

Screenings occur the first Wednesday at
ICE Theaters Lawndale
3330 W Roosevelt Road

And first Thursday of every month at
ICE Theaters Chatham 14
210 W. 87th Street
Chicago, IL

 

Share

BLACK WORLD CINEMA: GROWN IN DETROIT, Wednesday, June 1, 7:00pm, Adm $5

May 8, 2011 in Monthly Screenings at Chatham 14

Wednesday, June 1, 7:00pm
ICE Theaters Lawndale | Admission: $5.00
3330  W. Roosevelt Road, Chicago, IL. | (773) 783-8812
icetheaters.com | blackworldcinema.net

Just imagine… Teen moms becoming urban farmers. Utopia? Not in Detroit!
Nature is taking over the city and the new generation is taught to harvest its profit. The award winning documentary by Dutch filmmakers Mascha & Manfred Poppenk, cinematography by Suzan van Steenwijk


Grown in Detroit, 2010, Netherlands, 60 Minutes (Trailer)

Detroit has earned its notorious title as one of the most dangerous cities in the U.S. due to a struggling automotive industry, increasingly high unemployment, poverty, race issues, vacant houses, high crime rates and decreased public services. Places where houses, factories and schools were once thriving are left abandoned because only half of the city’s original population remains. In the last fifty years, one of the wealthiest cities in America has transformed into one of the most economically and socially challenged. Where residents once had major supermarkets and affordable, healthy dining, now liquor stores sell groceries from behind bullet-proof glass and fast food restaurants, are rampant. However, amidst all this negativity, where the press hangs on every story, the city and its residents have surprisingly emerged with their own solution.With the destruction of so many abandoned homes, nature has taken over and the city is ‘greening’ from within.

Satellite images speak for themselves, more than one third of the city has become green again just as it was before the industrial era. This new landscape is creating opportunities and hope for the city and its residents. Land that was used for farming a century ago has again been cultivated, this time by the urban farmer. The urban farmer turns out, whether out of necessity or not, to have a right to exist. Vacant lots in the heart of the city are being returned to fertile land. Some harvest the crops for their own use, some share with the neighbors or community, while others sell their produce at the market. For instance the bee population, almost extinct in America, is flourishing in Detroit. The extensive variety of native flowers on the vacant lots and the lack of pesticides make Detroit’s unique environment perfect for a very pure honey production. In such an impoverished urban environment, it is refreshing to see such ingenuity. This is an image of the Unites States that is rarely shown.

Grown in Detroit focuses on the urban gardening efforts managed by a public school of 300, mainly african-american, pregnant and parenting teenagers. In Detroit alone, there are annually more than 3,000 pregnant teenagers who drop out of high school. This school is one of three located in the United States. As part of the curriculum, the girls are taught agricultural skills on the school’s own farm located behind the school building what used to be the playground. The young mothers, often still children themselves, are learning by farming to become more independent women and knowledgeable about the importance of nutritional foods. Many of them start out disliking the often physically hard work on the farm but this aversion disappears as they see their crops growing and being sold for profit. “Back to the roots”, a simple yet effective solution for a city that has to start all over again and perhaps a lesson to be learned for the rest of the world.


Black World Cinema, a showcase of seldom seen classic features and new films from around the world. Black World Cinema presents films by filmmakers that bring us story with compelling content and a human dimension seldom presented in mainstream cinema.

All screenings are followed by lively discussions moderated by program director Floyd Webb or local scholars, screenwriters and directors.

Screenings occur the first Wednesday at
ICE Theaters Lawndale
3330 W Roosevelt Road

And first Thursday of every month at
ICE Theaters Chatham 14
210 W. 87th Street
Chicago, IL

Share
Get Adobe Flash playerPlugin by wpburn.com wordpress themes